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The Wudang Tai Chi long form has two methods of practice. It is generally learned in the ‘square’ format initially. The techniques of the square form are clearly set, with precise starts and stops. There is a 1,2,3 count to the practicing of the movements.

Once the square form has been learned, memorised and a certain level of proficiency has been achieved, students will move onto the ’round’ method of practice. In this method, there are no longer precise start and stop points between the techniques or ‘postures’. The entire sequence flows from one manoeuvre to the next in a completely fluid and ceaseless manner. The analogy classically used is that you should be like a great river, implying some variance in pacing and intensity.

The benefits of practicing Wudang Tai Chi long form

The long form is a great practice, whether you want to improve your health and fitness or you want to increase your capacity as a martial artist. It works on many different levels, depending on your state of progress in the art.

Square form practice Wudang Tai Chi long form

Practicing the square form gives you familiarity with the various stances and body posture used in Tai chi. Your legs will begin to strengthen quite quickly, as will the muscles that stabilise and control the ‘core’. You will learn and practice how to achieve comfortable and stable positions, whilst being relatively relaxed, physically and mentally. As you continue you will begin to understand how to make the stances and arm movements appropriately full or empty.

The square form builds good levels of stamina and is actually a tough exercise when we take our time and sink carefully into the various postures, and really extend them to their fullest potential.

Round form practice of the Wudang Tai Chi long form

After you have become fairly proficient in practicing the techniques of the square form, and can remember the 119 movement sequence, its time to begin the round form.

Round form practice has no clear and distinct start and stop points. In fact the whole form flows completely seamlessly from one movement into the next deliberately without any breaks. Distinctions in the particular techniques contained within in it are done via subtle changes of movement speed and pacing, as well as the natural opening and closing of the bodies’ joints.

Round form requires a highly level of continual awareness on body position, posture and how are limbs are aligned. This trains focus and can be considered a mindful practice, as it’s always done with a ‘relaxed attitude’.  This helps you to relieve stress and feel calm and at ease after training.

A very wide combination of movements is practiced, giving the musculoskeletal system plenty of healthful stimulation. Because of this wide variety of movement training, the circulatory system receives a lot of benefit, encouraging the movement of oxygenated blood to many areas of the body, via mechanical actioning of so many different muscles (mechanotransduction).

As you practice the long form, you are encouraged to continually refine and develop your coordination, so that our movements and body control become incredibly accurate. This accuracy develops precision in stance and leg control, in trunk positioning and posture control and also the shapes with which our arms manifest techniques. The mechanical efficiency of these aspects impacts health but also plays an important role in the delivery of efficient and effective martial arts techniques.

One of the key concepts in Tai Chi is achieving a good level of ‘sung/song’. This concepts encourages you to have a certain kind of loose pliability to your movements. Because mind and body are linked, it  does require the adoption of a loose and relaxed mindset – quite opposite to being ‘highly strung’.  Becoming more ‘sung/song’ will make body movements more efficient and reduce muscular inhibition – which is the tension in the antagonist muscles. This in turn will make you more powerful when combined with well developed and trained ‘intent’. A reduction in tension through your body will also enable blood (and some say Qi) to flow more efficiently through its networks.

Mirrored practice of the Wudang Tai Chi long form

The mirror form is the next stage in practice and it’s where we simply do all the techniques the opposite way. So where we would have moved to the left in orthodox form, we will move to the right.

The mirror form isn’t done in many style of Tai Chi for some reason, but in our school it is part of the regular progression for students. It’s important because it provides you with balanced training for the body physically. It’s also an excellent way to fully develop your technique, body control and coordination

Reverse practice of the Wudang Tai Chi long form

In the Tao Te Ching, which is the sourcebook for the classical Taoist belief system, it’s written that to truly know something you have to view it from all possible vantage points. This means to see it from the front, the side, from the back and so on.

In the Wudang Tai Chi system, we practice the reverse form for exactly this reason. When practicing the form from back to front, with all the movements reversed, we have to focus incredibly intently, and we can become aware of any misalignments or deficiencies that may have crept into our form.

It’s a very difficult thing to do with any fluency, but is an excellent method of practice and can help you to perceive and understand the skilful movement of your body at a higher level.

Single practice of the form movements

Each movement of the 119 movements of the long form is in itself an important ‘style’. I would suggest that the vast majority of Tai Chi practitioners would have difficulty in isolating each of the particular techniques from their long form, and practice it in isolation.

This practice, known as ‘single/single movement’ practice is very important and helpful from a martial perspective, and also from a health and fitness perspective.

Repetitive practice of movements helps to build a deeper level of familiarity with the technique, which will help refine your ability to express the movement as and when needed in self defence drills and so on.

Some of the movements also are excellent for developing the flexibility of certain parts of the body which may require additional attention, depending on each practitioners needs.

Fundamental qualities in Tai Chi form practice

Balance and Centredness

Each of the postures of the Hand Form is practiced in it’s optimal balance point. Each of the stances is rooted from the feet, with optimal foot, ankle, knee and hip positioning. We practice to develop awareness of the spinal positioning in it’s entirety from the base to the head, finding the perfect neutral balance in all postures. The alignment of upper and lower parts of the arms, as well as the hands is trained. This body awareness practice is carried out in a mindful, relaxed and tranquil way, allowing the Qi to sink.


In Tai Chi Chuan there should be no forced movements, everything should feel natural and unstrained. Movements and actions are practiced so that they flow naturally from one to the next smoothly, with calm, smooth and deep breathing. The body is completely relaxed, using the minimal amount of muscular tension to carry out the postures and movements. Body and mind in this state are said to be tranquil. This allows for smooth circulation of vital energy.


All of the postures in the form are trained so that the practitioner feels perfectly comfortable in all of their movements. Proper extension and contraction of all of the bodies muscles and joints, combined with a relaxed attitude and well balanced body positions leads to a relaxed and sunken, comfortable quality.


When you practice a form with the emphasis on comfort, tranquility and balance you can begin to develop the quality of lightness. A keen sensitivity is developed and movements become unrestrained and light. Lightness of movements leads the way to sticking skills, which require a keen sensitivity to your own actions and those of the opponent.


Once you have achieved lightness, agility is also developed. Being able to change with perfect timing, balance and coordination with the movements of the opponents requires agility. Perfect control of your own movements and the ability to connect to and follow the opponent lead to agility.


The human body, with it’s myriad of muscular lever systems and the connective tissue matrix that assists movement and posture, moves optimally in arcs. The Tai Chi Chuan Hand Form therefore trains the student to find perfect arc like movements in all of the postures and techniques. Additionally all of these movements are carried out with the body moving as ‘one Qi’ – or as an entire unit. So that in any given technical execution, the optimised mechanical power capacity of the whole body is behind it.


After a student has trained the above qualities into their Hand Form practice, liveliness begins to develop. This leads to perfect and effortless opening and closing, extending and contracting, advancing and retreating.

The names of the Wudang Tai Chi long  form techniques

1. The ready style (Wu Chi)

2. The Tai Chi beginning style
(Vanguard arms, Extend the arms)

3. The seven stars style

4. Grasping the bird’s tail

5. The single whip

6. Flying oblique

7. Raise hands and step up
(Single then Double seize the legs)

8. White crane flaps its wings
(Break arm style)

9. Brush knee twist step

10. The seven stars style (left)

11. Brush knee twist step

12. The seven stars style (left)

13. Stroke the lute

14. Step up, parry and punch

15. As if shutting a door

16. Embrace tiger and return to mountain

17. Cross hands

18. Oblique brush knee twist step

19. Turn body, brush knee twist step

20. The seven stars style

21. Grasping the bird’s tail

22. Oblique single whip

23. Fist under elbow

24. Step back and repulse monkey

25. Flying oblique

26. Raise hands and step up

27. White crane flaps its wings

28. Brush knee twist step

29. The seven stars style (left)

30. Needle at sea bottom

31. Fan through the back

32. Turn body and swing fist

33. Step back, parry and punch

34. Step up, grasping the bird’s tail
(reverse seven stars)

35. The single whip

36. Wave hands in clouds (turning hands)

37. The single whip

38. Pat the horse high (left)

39. Left Drape Body
(seperate hands)(tiger embraces head)

40. Right Separate legs

41. Pat the horse high (right)

42. Right drape body

43. Left Separate leg

44. Turn around and kick with the heel

45. Brush knee twist step

46. Step forward and plant punch

47. Turn body and swing fist

48. Step up and pat the horse high (left)

49. Left drape body

50. Right separate legs

51. Step back seven stars style

52. Step back to strike the tiger

53. Twist the body and kick

54. Box the ears

55. Right drape body

56. Left separate legs

57. Turn round and kick with the heel

58. Swing fist

59. Step up, parry and punch

60. As if shutting a door

61. Embrace tiger and return to mountain

62. Cross hands

63. Turn body, brush knee twist step

64. Oblique brush knee twist step

65. The seven stars style

66. Grasping the bird’s tail

67. Oblique single whip

68. The seven stars style

69. Parting the wild horse’s mane

70. The seven stars style

71. Parting the wild horse’s mane

72. The seven stars style

73. Parting the wild horse’s mane

74. Fair lady works at shuttle

75. The seven stars style

76. Parting the wild horse’s mane

77. Fair lady works at shuttle

78. The seven stars style

79. Grasping the bird’s tail

80. The single whip

81. Wave hands in clouds (turning hands)

82. The single whip

83. Snake creeps down

84. Golden cockerel stands on one leg (right)
(white snake spits out its tongue)

85. Step back and repulse monkey
(Golden cockerel on one leg left)

86. Step aside, flying oblique

87. Raise hands and step up
(double seizing legs)

88. White crane flaps its wings

89. Brush knee twist step

90. The seven stars style (left)

91. Needle at sea bottom

92. Fan through the back

93. Turn body and swing fist

94. Step up, parry and punch

95. Step up grasping the bird’s tail

96. The single whip

97. Wave hands in clouds (turning hands)

98. The single whip

99. Pat the horse high (left)

100. Slap the face

101. Cross and single hand sweep lotus leg

102. Brush knee twist step

103. Step up to punch the groin

104. Step up, grasping the bird’s tail

105. The single whip

106. Snake creeps down

107. Step up, seven stars

108. Step back to ride the tiger

109. Turn body and slap the face

110. Turn body and double hand sweep lotus leg

111. Draw the bow to shoot the tiger

112. Pat the horse high (left)

113. Slap the face

114. Turn body and swing fist

115. Step up to pat the horse high

116. Step up, grasping the bird’s tail

117. The single whip

118. Tai Chi at rest

119. Completion style

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